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Lists of members’ recommendations for British Fantasy Awards Lists of members’ recommendations for British Fantasy Awards(2)

Following announcement of the shortlist for the 2012 British Fantasy Awards, the long lists from which the shortlisted works/candidates were chosen can now be revealed. The ‘long lists’ are the list of members’ recommendations in each category, including jurors’ recommendations as applicable. The lists have been copied from the voting data. Titles appear in no particular order. While the Awards Administrator has made every effort to check any apparent discrepancies (such as variant spellings), time has not permitted checking the eligibility of every item in each category. Any errors noted may be reported to the Awards Administrator at bfsawards [at] britishfantasysociety [dot] org

British Fantasy Award recommendations:

Novel:
The Ritual; Adam Nevill (Pan Macmillan)
Zone One; Colson Whitehead (Harvill Secker)
Deadline; Mira Grant (Orbit)
The Concrete Grove; Gary McMahon (Solaris)
Southern Gods; John Horner Jacobs (Nightshade Books)
Regicide; Nicholas Royle (Solaris)
The Dracula Papers: Book 1 The Scholars Tale; Reggie Oliver (Chomu Press)
The Shadow of the Soul; Sarah Pinborough (Gollancz)
The Mall; S L Grey (Corvus Books)
Frankenstein’s Prescription; Tim Lees (Tartarus Press)
The Orphan Palace; Joseph S Pulver, Sr (Chomu Press)
Enterprise of Death; Jesse Bullington (Orbit)
Bleed;    Ed Kurtz (Abattoir)
Department 19; Will Hill (Harper Collins)
Black Flowers; Steve Mosby (Orion)
11.22.63; Stephen King (Hodder & Stoughton)
The Left Hand; Serenity J Banks (Dark Continents)
Ghosts Know; Ramsey Campbell (PS Publishing)
Ashes; Ilsa J Bick (Quercus)
666 Charing Cross Road; Paul Magrs (Headline Review)
Outpost; Adam Baker (Hodder & Stoughton)
The Lamplighters; Frazer Lee (Samhain Publishing)
Forest of Shadows; Hunter Shea (Samhain Publishing)
Loss of Separation; Conrad Williams (Solaris)
Kin; Kealan Patrick Burke (Cemetery Dance)
Revenants; Daniel Mills (Chomu Press)
Rivers of London; Ben Aaronovitch (Gollancz)
Graveminder; Melissa Marr (Harper Collins)
The Last Werewolf; Glen Duncan (Canongate)
Osama; Lavie Tidhar (PS Publishing)
Enter, Night; Michael Rowe (ChiZine Publications)
Little Star; John Ajvide Lindqvist (Quercus)
The Thing on the Shore; Tom Fletcher (Quercus)
The Damned Highway; Brian Keene and Nick Mamatas (Dark Horse)
Cyber Circus; Kim Lakin-Smith (NewCon Press)
Hunter’s Moon; Paul Finch (BBC Books)
A Matrix of Angels; Christopher Conlon (Creative Guy Publishing)
Isis Unbound; Allyson Bird (Dark Regions Press)
Long Lankin; Lindsay Barraclough (Bodley Head)
Shapes in the Mist; G R Yeates
Moon over Soho; Ben Aaronovitch (Gollancz)
Cold Mirrors; C J Lines (Adramelech Books)
Killer Move; Michael Marshall Smith (Orion)
Restoration – The World House; Guy Adams (Angry Robot)
Theatre of Curious Acts; Cate Gardner (Hadley Rille)
A Monster Calls; Patrick Ness and Siobhan Dowd (Walker)
O My Days; David Mathew (Triskaideka Press)
The Faceless; Simon Bestwick (Solaris)
Fangboy; Jeff Strand (Delirium Press)
Dead Bad Things; Gary McMahon (Angry Robot)
Mechanique; Genevieve Valentine (Prime)
The Burning Soul; John Connolly (Hodder & Stoughton)
Redlaw; James Lovegrove (Solaris Books)
Flesh Eaters; Joe McKinney (Pinnacle)
Ghost Story; Jim Butcher (Orbit)
Abarat 3 Absolute Midnight; Clive Barker (Harper Collins)
Reamde; Neal Stephenson (Atlantic Books)
God’s War; Kameron Hurley (Nightshade Books)
Snuff; Terry Pratchett    (Doubleday)
Somnium; Steve Moore (Somnium/Strange Attractor)
The Crippled God; Steven Erikson (Bantam Press)
The Heroes; Joe Abercrombie (Gollancz)
The Islanders; Christopher Priest (Gollancz)
The Cold Commands; Richard Morgan (Gollancz)
The Scar Crow Men; Mark Chadbourn (Gollancz)
Among Thieves; Douglas Hulick (Tor)
Fenrir; M D Lachlan (Gollancz)
Among Others; Jo Walton (Tor)
Enter Wildthyme; Paul Magrs (Snowbooks)
The Rogue; Trudi Canavan (Orbit)
IQ84; Haruki Murakami (Harvill Secker)
Babylon Steel; Gaie Sebold (Solaris)
Jack Cloudie; Stephen Hunt (Harper Voyager)
A Dance with Dragons; George R R Martin (Harper Voyager)
Daughter of Smoke and Bone; Laini Taylor (Hodder and Stoughton)
The Night Circus; Erin Morgenstern (Harvill Secker)
City of Hope and Despair; Ian Whates (Angry Robot)
Lowtown: The Straight Razor Cure; Daniel Polansky (Hodder & Stoughton)
Embassytown; China Mieville (Macmillan)
The Fallen Blade; Jon Courtenay Grimwood (Orbit)
The Traitors Gate; Sarah Silverwood (Gollancz)
Miss Peregrine’s Home for Peculiar Children; Ransom Riggs (Quirk)
Dangerous Waters; Juliet McKenna (Solaris)
The Company Man; Robert Jackson Bennett (Orbit)
The Emperor’s Knife; Mazarkis Williams (Jo Fletcher Books)
Hard Magic; Larry Correia (Baen Books)
Neon Court; Kate Griffin (Orbit)
Wise Man’s Fear; Patrick Rothfuss (Gollancz)
Professor Moriarty: The Hound of the D’Urbavilles; Kim Newman (Titan Books)
Elves: once walked with Gods*; James Barclay (Gollancz)
Savage City; Sophia McDougall (Gollancz)
The Ruby Trick; Julia Knight (Carina Press)
Wake Up and Dream; Ian R MacLeod (PS Publishing)
The Immorality Engine; George Mann (Snowbooks)
Cyrus Darian and the Technicrom; Raven Dane (Prosochi)
White Cat; Holly Black (Gollancz)
Apoidea; Douglas Thompson (Exaggerated Press)
Heartless: The Parasol Protectorate: Book 4; Gail Garriger (Orbit)
Songs of the Earth – the Wild Hunt book 1; Elspeth Cooper (Gollancz)
Echo City; Tim Lebbon (Orbit)
Darkness Falling; Peter Crowther (Angry Robot)
Harbinger of the Storm; Aliette de Bodard (Angry Robot)
Mr Fox; Helen Oyeyemi (Picador)
Dr Who: Borrowed Time; Naomi A Alderman (BBC Books)
The Evolutionary Void; Peter F Hamilton (Pan)
The Sword of Shadows; Adrian Cole (Wildside Press)
popCULT; David Barnett (Pendragon Press)
Picus the Thief; Robin Bennett (Small Vampires)
The Silver Wind; Nina Allan (Eibonvale)
All Clear; Connie Willis (Spectra Books)

(* ‘Elves: Once walked with Gods’ by James Barclay is included in the list of members’ recommendations. James Barclay is on the BFA Jury this year.)

Novella:
Dancing the Warrior; Marie Brennan (Beneath Ceaseless Skies #66 #67)
The Man Who Bridged the Mist; Kij Johnson (Asimov’s Science Fiction)
Alcyone; Colin Insole (Ex Occidente)
The Man Who Ended History; Ken Liu (Panverse)
Ghosts with Teeth; Peter Crowther (A Book of Horrors, Jo Fletcher Books)
Blue and Gold; K J Parker (Subterranean)
Edge of Dreams; Debbie Bennett (e book)
Jesus and the Eightfold Path; Lavie Tidhar (Immersion Press)
Greyglass; Tanith Lee (Immanion Press)
Gorel and the Pot-Bellied God; Lavie Tidhar (P S Publishing)
Bleed for you; Michael Lewis Calvillo (Delirium Books)
Halflife; Paul Kane (Books of the Dead)
The Men from Porlock; Laird Barron
Alice through the Plastic Sheet; Robert Shearman (A Book of Horrors, JF Books)
Near Zennor; Elizabeth Hand (A Book of Horrors, Jo Fletcher Books)
Ballad of Ballard and Sandrine; Peter Straub (Subterranean Press)
Isabel Jane; Catherine Dale (Pendragon Press)
Angels of the Silences; Simon Bestwick (Pendragon Press)
Pataki; Nisi Shawl (Strange Horizons)
Murder Born; Robert Reed (Asimov’s Science Fiction)
Barbed Wire Hearts; (Delirium Books)
A Brood of Foxes; Kristin Livdahl (Aqueduct Press)
The Child’s Problem; Reggie Oliver (A Book of Horrors, Jo Fletcher Books)
Terra Damnata; James Cooper (PS Publishing)
Angels of the Silences; Simon Bestwick (Pendragon Press)
The Grinding House; Kaaron Warren (40k)
The Mill; Mark West (Greyhart Press)
Times Table; Robert Shearman (Big Finish)
Promised Land Blues; Rio Youers (P S Publishing)
The Affair of the Chalk Cliffs; by James P Blaylock (Subterranean Press)
The Music of Bengt Karlsson, Murderer; John Ajvide Lindqvist (A Book of Horrors, Jo Fletcher Books)

Short Fiction:
At the Sign of the Black Dove; Lou Morgan (Pandemonium: Stories of the Apocalypse)
Qiqirn; Simon Kurt Unsworth (Phobophobia)
The Thief of Precious Things; A C Wise (Bewere the Night)
The Coffin-Maker’s Daughter; Angela Slatter (A Book of Horrors)
The Dark Space in the House in the Garden at the Centre of the World; Robert Shearman (Solaris/House of Fear)
Vamps Got Talent; Ross Baxter (Fangtales, Wyvern publications)
Flowers of the Sea; Reggie Oliver (The Horror Anthology of Horror Anthologies)
She Murdered Mortal He; Sarah Hall (Granta 117)
The Fool Jobs; Joe Abercrombie (Night Shade Books)
Small Price to Pay for Birdsong; K J Parker (Subterranean)
What They Hear in the Dark; Gary McMahon (Spectral Press)
Florrie; Adam Nevill (House of Fear)
Antlers; Thana Niveau (Death Rattles)
Sad, Dark Thing; Michael Marshall Smith (A Book of Horrors)
Butterfly; Garth Upshaw (Beneath Ceaseless Skies)
Grey Magic for Cats; Jan Edwards (BFS Journal – New Horizons)
Waiting for the Bullet; Mark Morris (Gutshot, PS Publishing)
Of Dawn; Al Robertson (Interzone)
Me and My Shadow; Justin Carroll (Fangtales, Wyvern Publications)
I Have Heard the Mermaids Singing; Ray Cluley (Black Static #26)
Quieta Non Movere; Reggie Oliver (The Eighth Black Book of Horror)
Black Feathers; Alison Littlewood (Black Static 22)
The Little Green God of Agony; Stephen King (A Book of Horrors)
Closer Than You Think; Neil Williams (Ill at Ease, Penman Press)
Tethered by Mecurio; D. Rivera (Interzone, TTA Press)
Not The End of the World; Sophia McDougall (Pandemonium: Stories of the Apocalypse)
Dermot; Simon Bestwick (Black Static)
Botched; Lorraine Slater (The Monster Book for Girls)
Christ the Painter; Allen Ashley (Postscripts 24/25) 2
The Curtain Parts; Christopher Fowler (Black Static, TTA Press)
For Shame of Doing Wrong; Joel Lane (Unspoken Water 1)
Walk the Last Mile; Steve Savile (Terror Tales of the Lake District)
Pins and Needles; Ray Cluley (Black Static)
The Quiet Coach; Alison Littlewood (Fogbound from 5, Hersham Horror)
Cold Snap; Robert Shearman (Everyone’s Just So So Special)
Card Sharp; Rajan Khanna (The Way of the Wizard)

Deluge; Kim Lakin-Smith (Pandemonium: Stories of the Apocalypse)
Bury the Truth; Carole Johnston (Dark Minds Anthology)
Restoration; Robert Shearman (Big Finish)
Coverhithe; China Mieville (The Guardian)
Nowhere Hill; Cate Gardner (Spectral Press)
The Man in the Ditch; Lisa Tuttle (A Book of Horrors)
Christopher Raven; Theodora Goss (Fantasy Magazine)
Swans; Kelly Link (Fantasy Magazine)
The Truth is a Cave in the Black Mountains; Neil Gaiman (Stories – Headline Review)
The Day or the Hour; Jonathan Oliver (Pandemonium: Stories of the Apocalypse)
The Tower; Mark Samuel (The Man who Collected Machen, Chomu)
Wait; Conrad Williams (Haunts, Ulysses Press)
King Death; Paul Finch (Spectral Press)
Timekeeping; L H Leslie (Black Static, TTA Press)
Closer; Osgood Vance (Pandemonium: Stories of the Apocalypse)
Spiral; David Rix (The Monster Book for Girls)
Objects in Dreams May be Closer than They Appear; Lisa Tuttle (House of Fear anthology)
In the House of Answers; Allen Ashley (BFS Journal)
White Butterflies; Stephen Volk (Gutshot, P S Publishing)
Little One; Steve Rasnic Tem (Unspoken Water 1)
Cow Castle; Paul Finch (Death Rattles)
Roots and All; Brian Hodge (A Book of Horrors)
Daughters of Kali; Neesha Meminger (Expanded Horizons #27)
The Paper Menagerie; Ken Liu (Fantasy and Science Fiction)
Villanova; Paul Meloy (House of Fear)
Tok; Paul Finch (The Eighth Black Book of Horror)
Wikolak; Nina Allan (Crimewave 11: Ghosts)
The Morraine; Simon Bestwick (Terror Tales of the Lake District, Gray Friar)
Kriegsmaterial; Adrian Chamberlain (Fogbound from 5, Hersham Horror)
Your Golden Hands; Andrew Hook (Postscripts 24/25)
Tying knots; Ken Liu (Clarksworld)
On the beach; Andrew Hook (Unspoken Water 1)
Hail; Daniel Kaysen (Black Static)
Timekeeping; V H Leslie (Black Static)
Times Table; Robert Shearman in Everyone’s Just So, So Special by Robert Shearman (Big Finish, July 2011)
Moons; Ramsay Campbell (The Devil’s Coattails, Cycatrix Press)

Anthology:
Pandemonium: Stories of The Apocalypse; edited by Anne C. Perry and Jared Shurin (Jurassic London)
Granta 117: Horror; edited byJohn Freeman (Granta).
Wildthyme in Purple; edited by Cody Quijano-Schell and Stuart Douglas (Obverse Books)
The Way of the Wizard; edited by John Joseph Adams (Prime Books)
House of Fear; edited by Jonathan Oliver (Solaris Books)
The Master in Cafe Morphine; edited by Dan Ghetu (Ex Occidente Press)
Fangtales; edited by Berni Stevens (Wyvern Publications)
The Weird; edited by Ann and Jeff Vandermeer (Corvus Books)
The Best SFF of the Year Volume 5; edited by Jonathan Strachan (Night Shade Books)
Delicate Toxins; edited by John Hirschhorn-Smith (Side Real Press)
A Book of Horrors; edited by Stephen Jones (Jo Fletcher Books)
The Eighth Black Book of Horror; edited by Charles Black    (Mortbury Press)
13: Tales of Dark Fiction; edited by Adam Bradley (Morpheus Tales)
Tales of the Shadowmen 8: Agents Provocateurs; edited by Jean-Marc Lofficier, Randy Lofficier (Black Coat Press)
Stories: All-new Tales; edited by Neil Gaiman and Al Sarrantonio    (Headline Review)
The Horror Anthology of Horror Anthologies; edited by DF Lewis    (Megazanthus Press)
Ill at Ease; edited by Mark West (PenMan Press)
The Monster Book for Girls; edited by Terry Grimwood (Exaggerated Press)
Postscripts 24/25; edited by Pete Crowther (PS Publishing)
Gutshot; edited by Conrad Williams (PS Publishing)
The Book of Cthulu; edited by Ross E Lockhart (Night Shade Books)
Terror Tales of the Lake District; edited by Paul Finch (Gray Friar Press)
Further Conflicts; edited by Ian Whates (NewCon Press)
A Dream of Stone; edited by D. M. Mitchell (Paraphilia Books and Magazines)
New Cthulhu: The Recent Weird; edited by Paula Guran (Prime Books)
The Thackery T. Lambshead Cabinet of Curiosities; edited by Ann VanderMeer and Jeff VanderMeer (Harper Voyager US)
Haunts: Reliquaries of the Dead; edited by Stephen Jones (Ulysses)
Fogbound from 5; edited by Peter Mark May (Hersham Horror)
The Best Horror of the Year Volume 3; edited by Ellen Datlow (Night Shade Books)
The Mammoth Book of Best New Horror 22; edited by Stephen Jones (Robinson)
Beware the Night; edited by Ekaterina Sedia (Prime Books)
The Avenger: The Justice Inc. Files; edited by Joe Gentile, Howard Hopkins (Moonstone Books)
Phobophobia; edited by Dean M Drinkel (Dark Continents Publishing)
Alt Dead; edited by Peter Mark May (Hersham Horror)
Death Rattles; edited by Gary McMahon, Paul Finch and Stephen Volk (Gray Friar Press)
The Devil’s Coattails; edited by Jason V Brock and William F Nolan (Cycatrix Press)

(Please note – BFS publications are ineligible and therefore any recommendations have not been listed.)

Collection:
A Glass of Shadow; Liz Williams (Newcon Press)
Everyone’s Just So So Special; Robert Shearman (Big Finish Productions)
Quiet Houses; Simon Kurt Unsworth (Dark Continents)
Somewhere Beneath Those Waves; Sarah Monette (Prime Books)
Allurements of Cabochon; John Gale (Ex Occidente)
Baby’s First Book of Seriously Fucked Up Shit; Robert Devereaux (Eraserhead)
Long Shadows, Nightmare Light; Mark Morris (PS Publishing)
The Engines of Desire; Livia Llewellyn (Lethe Press)
Mrs Midnight; Reggie Oliver (Tartarus Press)
This is the Quickest Way Down; Charles Christian (Proxima)
Scream Quietly: The Best of Charles L. Grant; Charles L. Grant (PS Publishing)
Sherlock Holmes: Revenant; William Meikle (Dark Regions Press)
Love and Other Adventures; Nick Mellish (Lulu)
Binscombe Tales; John Whitbourn (Spark Furnace)
The Silver Wind; Nina Allen (Eibonvale)
The Man Who Collected Machen and Other Weird Tales; Mark Samuels (Chomu Press)
The Inhabitant of the Lake & Other Unwelcome Tenants; Ramsey Campbell  (PS Publishing)
Rumours of the Marvellous; Peter Atkins (Alchemy Press/Airgedlamh Productions)
Red Gloves; Christopher Fowler (PS Publishing)
Ventriloquism; Catherynne M. Valente (PS Publishing)
After the Apocalypse; Maureen F McHugh (Small Beer Press)
One Monster is not enough; by Paul Finch (Gray Friar Press)
Wind Angels; Leigh Kennedy (PS Publishing)
Central Park Knight by C.J. Henderson (MacMillan-Tor Books)
The Dragnet Solar Pons et al; August Derleth (Battered Silicon Dispatch Box)
The Secret Life of the Panda; Nick Jackson (Chomu Press)
Medi-Evil Volume 1; Paul Finch (Brentwood Press)
The Janus Tree; Glen Hirshberg (Subterranean Press)
Eldritch Tales; H.P. Lovecraft (Gollancz)
Nitrospective; Andrew Hook (Dog Horn Press)
Pain Cages; Paul Kane (Books of the Dead Press)
The Monkey’s Wedding and Other Stories; Joan Aiken (Small Beer Press)
Dark Dreams, Pale Horses; Rio Youers (PS Publishing)
Five Degrees of Latitude; Michael Reynier (Tartarus Press)
Gathered Dust and Others; W.H. Pugmire     (Dark Regions Press)
It Knows Where You Live; Gary McMahon (Gray Friar Press)

Screenplay:
Melancholia; Lars Von Trier
X-Men: First Class; Jane Goldman, Ashley Miller, Zack Stentz, Matthew Vaughn
Harry Potter and the Deathly Hallows Part 2; Steve Kloves
A Servant of Two Masters (Merlin, S4 ep6); Lucy Watkins
Attack the Block; Joe Cornish
Another Earth; Brit Marling
Merlin: Lancelot Du Lac; Lucy Watkins, Sara Hamill
The Doctor’s Wife (Dr Who); Neil Gaiman
The Awakening; Stephen Volk, Nick Murphy
Kill List; Ben Wheatley and Amy Jump
Midnight in Paris; Woody Allen
The Devil’s Rock; Paul Campion, Paul Finch, Brett Ihaka
Snowtown; Shaun Grant
Game of Thrones: Fire and Blood; David Benioff and D. B. Weiss
A Good Man Goes to War (Dr Who); Steve Moffat
Captain America: The First Avenger; Christopher Markus and Stephen McFeely
Being Human; Toby Whitehouse
Torchwood Ep 7: Immortal Sins; Russell T Davies (creator), Jane Espensen
Hugo; John Logan
Rise of the Planet of the Apes; Rick Jaffa
Super; James Gunn
Black Pond; Will Sharpe
Marchlands; Stephen Greenhorn and Chrissy Skinns
Troll Hunter; André Øvredal, Sveinung Golimo* (NB – 2010 – ineligible)
A Golden Crown: Game of Thrones; Jane Espenson, David Benioff, D. B. Weiss
Super 8; J J Abrams
Whisperer in Darkness; Andrew Leman
The Fades:  The Chosen One
Winter Is Coming: Game of Thrones; David Benioff and D.B. Weiss
Red State; Kevin Smith, Jon Gordon
Sucker Punch; Zack Snyder, Steve Shibuya
Sherlock; Steven Moffat & Mark Gatiss
Source Code; Ben Ripley
13 Assassins; Kaneo Ikegami, Daisuke Tengan
Pirates of the Caribbean: On Stranger Tides; Terry Rossio & Ted Elliot
The Skin I Live In; Pedro Almodovar
The Wedding of River Song, Doctor Who; Steven Moffat

Periodical/Magazine:
Beneath Ceaseless Skies; Scott H Andrews
Ghosts & Scholars Newsletter; Rosemary Pardoe (Haunted Library)
Black Static; Andy Cox (TTA Press)
Interzone; Andy Cox (TTA Press)
Something Wicked; Joe Vaz (Something Wicked)
Rue Morgue; Rodrigo Gudino
Wormwood; Mark Valentine (Tartarus Press)
The Horror Zine; Jeani Rector (online)
Paraphilia; D. M. Mitchell (Paraphilia Books & Magazines)
Fantasy and Science Fiction; Van Gelder
Lovecraft eZine; Michael Davis (Michael Davis)
Fantasy Magazine; John Joseph Adams
SFX; Dave Bradley (Future)
Doctor Who Magazine
PS; Peter Crowther, Nick Gevers (PS  Publishing)
Midnight Street; Trevor Denyer (Immediate Direction)
Shimmer; Beth Wodzinski
Polluto; Victoria Hooper and Adam Lowe (Dog Horn Press)
Paperback Fanatic; Justin Marriott
Theaker’s Quarterly Fiction; Stephen Theaker and John Greenwood (Silver Age Books)
Strange Horizons; Niall Harrison
Peake Studies; G Peter Winnington
Cemetery Dance
Morpheus Tales; Adam Bradley (Morpheus Tales)
Clarkesworld; Neil Clarke
The Fortean Times
Shadows & Tall Trees; Michael Kelly (Undertow Books)
This Is Horror; Michael Wilson (This Is Horror)
Pornokitsch; Jared Shurin and Anne C Perry
Shock Totem
The Short Review; Tania Hershman
Ideomancer; Leah Bobet

Comic/Graphic novel:
Animal Man; Jeff Lemire, Travel Foreman   DC Comics
Jennifer Wilde; Maura McHugh*
Locke and Key; Joe Hill/Gabriel Rodriguez   IDW Publishing
Nelson; various (Blank Slate)
Batman; Scott Snyder (DC Comics)
Neonomicon; Alan Moore
The Unwritten; Mike Carey and Peter Gross (Vertigo)
The Unwritten Vol. 4: Leviathan
The Unwritten: Dead Man’s Knock
Nonplayer; Nate Simpson (Image)
Illustrated Masques; Mort Castle (Gauntlet)
Finder – Voice; Carla Speed McNeil (Dark Horse)
Anya’s Ghost; Vera Brosgol (First Second)
Sweet Tooth Vol. 1 Jeff Lemire (Vertigo)
The Walking Dead; Robert Kirkman and Charlie Adlard (Image)
Clint; Mark Millar (Titan)
BatWoman; J.H. Williams III and W. Haden Blackman (DC Comics)
Absolute Sandman Vol 5;  Neil Gaiman (Titan)
Wonder Woman; Brian Azzarello, Cliff  Chiang (DC Comics)
Birds of Prey: End Run; Gail Simone
The Boys; Grant Morrison (Dynamite)
Don Quixote; Rob Davis (Self Made Hero)
Fish + Chocolate; Kate Brown (Self Made Hero)
The Cape; Jason Ciaramella/Zach Howard (IDW Publishing)
Demon Knights; Paul Cornell and Diogenes Neves (DC Comics)
Uncanny X-Men: Regenesis; Kieron Gillen, Carlos Pacheco (Marvel)
Roisin Dubh; Maura McHugh*
Fables; Bill Willingham (Vertigo)
Hellblazer: Bloody Carnations (Titan)
Xombi; Rozum, Irving (DC Comics)
The Dunwich Horror; Weinberg and Lansdale (IDW Publishing)
The Lovecraft Anthology; edited by Dan Lockwood (Self Made Hero)
Batman Noel; Lee Bermejo

*Jennifer Wilde and Roisin Dubh by Maura McHugh received recommendations from members in this category. Maura is on the BFA jury this year.

The PS Publishing Independent Press Award:
Newcon Press; Ian Whates
Prime Books; Sean Wallace
Ex Occidente Press; Dan Ghetu
Wyvern Publishing; Holly Stacey
Spectral Press; Simon Marshall-Jones
Chomu Press; Quentin S. Crisp
Tree House; Shaun Levin
Anarchy Books; Andy Remic
Tartarus Press; Ray Russell
Mortbury Press; Charles Black
Rainfall Books
Small Beer Press; Gavin Grant & Kelly Link
Nightjar Press; Nicholas Royle
Atomic Fez; Ian Alexander Martin
Noose & Gibbet; Johnny Mains
ChiZine Publications; Brett Savory & Sandra Kasturi
Gray Friar Press; Gary Fry
Pendragon Press; Christopher Teague
Hersham Horror; Peter Mark May
Eibonvale Press; David Rix
Dark Fuse; Shane Staley
TTA Press; Andy Cox
The Exaggerated Press; Terry Grimwood
Screaming Dreams; Steve Upham
Parahilia; D. M. Mitchell
Angry Robot; Marc Gascoigne
Obverse Books; Stuart Douglas
Dog Horn Publishing; Adam Lowe
Megazanthus Press; Des Lewis
Side Real Press; John Hirschhorn Smith
Centipede Press; Jerad Walters
Morpheus Tales; Adam Bradley
Black Coat Press; Greg M. Seigel
Dark Continents Publishing; David M.Youngquist
Bad Moon Books; Roy Robbins

Best Artist:

Les Edwards;
cover of A Book of Horrors (Jo Fletcher Books Sep, 2011

http://www.lesedwards.com/

Rumours of the Marvellous – Peter Atkins (Alchemy Press)
Book of Horrors ed. Stephen Jones (cover)

Julie Dillon;
Planetary Alignment/cover of Clarkesworld Nov 11
clarkesworldmagazine.com/artbio_62/

Santiago Caruso;
Master at Cafe Morphine

Gabriel Rodriguez;
Locke & Key

Mark Manley;
Titan, Newbury and Hobbes

Vincent Chong;
Dark Minds Anthology
vincentchong-art.co.uk/illustration1.html
cover of Cyber Circus
vincentchong-art.co.uk
BFS Journal cover,
Long Shadows, Nightmare Light by Mark Morris (cover)
cover of The Devil’s Coattails (Cycatrix Press, October 2011

David Rix;
cover of Feather, Eibonvale book covers

Steve Upham;
a5.sphotos.ak.fbcdn.net/hphotos-ak-snc7/418180_378247258868322_100000491532934_1475543_1168256446_n.jpg
cover – Monster Book for Girls

Daniele Serra;
A Season in Carcosa – Joseph S. Pulver (Miskatonic River Press)
www.multigrade.it
Demon of the Dark Wood

Paul Mudie
The Black Books of Horror
freewebs.com/mortburypress/1.bp.blogspot.com/-wr0NLlescIo/ThzRJzMzbYI/AAAAAAAAAYI/fySGz5sWlsc/s320/8th+Black+Book.jpg

John Coulthart;
johncoulthart.com

Melissa Gay;
Jesus and the Eightfold Path
immersionpress.com/wp-content/uploads/2011/08/Jesus_Eightfold_Path_Cover.jpg

Paul Hanley;
Doctor Who, Buckaroo Banzai, Iris Wildthyme
dadsbigplan.com/2010/10/the-art-of-paul-hanley/

Nate Simpson;
Nonplayer

Chris Roberts;
Wolf Mask, Ram Mask, Deer Mask, Cat Mask
deadclownart.com

Travel Foreman;
Animal Man (DC)

Jethro Lentle; Lovecraft Ezine Cover November 2011
dystoper.deviantart.com/

Randy Broecker

Carla Speed McNeil;
Finder   lightspeedpress.com

Ben Baldwin;
Interzone Sep-Oct 2011, Black Static, illustrations for ‘The Silver Wind’ in Interzone 233, benbaldwin.co.uk/DesignsFrameset.htm
benbaldwin.co.uk, Cover of ‘Ghost Train’ – Stephen Laws

Clive Barker;
Abarat: Absolute Midnight (cover and internal art)
harpercollins.co.uk/Titles/15618/absolute-midnight-clive-barker-9780007100477 and clivebarker.info/artindex

Andy Bigwood;
The Sixty

Erik Mohr;
Eutopia by David Nickle (cover)
erikmohr.com

John Picacio;
www.johnpicacio.com/portfolio/2011/ned-stark.html
www.johnpicacio.com

Dave McKeen;
The Magic of Reality: How We Know What’s Really True
mckean-art.co.uk

Jon Sullivan

Dominic Harman;
cover of Debris by Jo Anderton (Angry Robert 27 Sep 2011)

http://bleedingdreams.com/BleedingDreams/

Jenny Laatsch & Madame Thenadier;
Cover of Fantasy Magazine Nov 11
fantasy-magazine.com/new/artist-spotlight/artist-spotlight-jenny-laatsch-and-madame-thenadier/

Stephen J Clark;
Tartarus Press

Marc Silvestri;
The Incredible Hulk

Simon ‘Pye’ Parr;
cover of ‘Regicide’ – Nicholas Royle
pyeparr.blogspot.com/

Jimmy Broxton;
Knight & Squire trade paperback (DC)

Kate Brown;
Fish + Chocolate, danse-macabre.nu

Greg Capullo;
Batman

Pedro Marques;
cover of Osama

Steven Vincent Mitchell;
svmitchell.com

Bret Herholz;
Vworp, Vworp
colinbrockhurst.co.uk/vworpvworp/?p=459
Frazer Irving;
Xombi (DC)

Jim Kay;
A Monster Calls

Bob Eggleton

Mark Buckingham;
Fables

Mike Mignola

Non-Fiction:
Pornokitsch; Jared Shurin & Anne Perry
Austin Osman Spare; Phil Baker (Strange Attractor)
Coffinmaker’s Blues; Stephen Volk (Black Static Magazine)
Out of this World; Mike Ashley (British Library)
The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature; S.J. Chambers and Jeff VanderMeer (Abrams)
This is Horror; various
Supergods; Grant Morrison (Jonathan Cape)
Studies in the Horror Film: The Exorcist; ed. Danel Olson (Centipede Press)
Denying Science; John Grant (Prometheus)
Lest You Should Suffer Nightmares: A biography of Herbert Von Thal; Johnny Mains   (Screaming Dreams)
The Unsilent Library, Essays on the Russell T Davies Era of Doctor Who; Graham Sleight, Tony Keen and Simon Bradshaw (Science Fiction Foundation)
Case Notes (Black Static) Peter Tennant (TTA Press)
Studies in Terror: Landmarks of Horror Cinema; Jonathan Rigby (Signum Books)
Nightmare Movies: Horror on Screen since the 1960s; Kim Newman(Bloomsbury)
Diary of a Witchcraft Shop; Liz Williams and Trevor Jones (NewCon Press)
Pornokitsch review of A Monster Calls; Anne C Perry (Pornokitsch)
Walking Dead Survivors’ Guide; John Scalzi
The Stars at Noonday; Brendan Moody
Everything is Nice; Martin Lewis
Monstrous Creatures; Jeff Vandermeer
Black Static column; Stephen Volk (TTA Press)
Shooty Dog Thing: 2th and Claw; Paul Castle and Jon Arnold (Hirst Books)
Monsters in the Movies; John Landis (Dorling Kindersley)
Un:Bound; Adele Wearing
Machenalia; Gwil Games (Newsletter)
Follow the Thread; David Hebblethwaite (online reviews blog)
Black Static column; Christopher Fowler (TTA Press)

British Fantasy Awards shortlist announced British Fantasy Awards shortlist announced(7)

The British Fantasy Society is pleased to announce the shortlist for the 2012 British Fantasy Awards. Determined by the 952 recommendations from BFS members and FantasyCon attendees and overseen by the British Fantasy Awards Jury, the shortlist is:

Novel:
The Heroes; Joe Abercrombie (Gollancz)
11.22.63; Stephen King (Hodder & Stoughton)
Cyber Circus; Kim Lakin-Smith (NewCon Press)
A Dance with Dragons; George RR Martin (Harper Voyager)
The Ritual; Adam Nevill (Pan)
Among Others; Jo Walton (Tor Books)

There will be two awards in the best Novel category: The August Derleth Award for best horror novel and The Robert Holdstock Award for best fantasy novel.

Novella:
Terra Damnata; James Cooper (PS Publishing)
Ghosts with Teeth; Peter Crowther (A Book of Horrors, Jo Fletcher Books)
Near Zennor; Elizabeth Hand (A Book of Horrors, Jo Fletcher Books)
The Music of Bengt Karlsson, Murderer; John Ajvide Lindqvist (A Book of Horrors, Jo Fletcher Books)
Gorel and the Pot Bellied God; Lavie Tidhar (PS Publishing)
Alice Through the Plastic Sheet; Robert Shearman (A Book of Horrors, Jo Fletcher Books)

Short Fiction:
Dermot; Simon Bestwick (Black Static)
Sad, Dark Thing; Michael Marshall Smith (A Book of Horrors, Jo Fletcher Books)
Florrie; Adam Nevill (House of Fear, Solaris Books)
The Coffin-Maker’s Daughter; Angela Slatter (A Book of Horrors, Jo Fletcher Books)
King Death; Paul Finch (Spectral Press)

Anthology:
A Book of Horrors; editor Stephen Jones (Jo Fletcher Books)
House of Fear; editor Jonathan Oliver (Solaris Books)
The Weird; editors Jeff and Ann Vandermeer (Corvus Books)
Gutshot; editor Conrad Williams (PS Publishing)

Collection:
Rumours of the Marvellous; Peter Atkins (Alchemy Press)
Mrs Midnight; Reggie Oliver (Tartarus Press)
Everyone’s Just So So Special; Robert Shearman (Big Finish)
A Glass of Shadow; Liz Williams (NewCon Press)

Screenplay:
Midnight in Paris by Woody Allen
Attack the Block by Joe Cornish
The Awakening by Stephen Volk and Nick Murphy
Melancholia by Lars Von Trier
Kill List by Ben Wheatley and Amy Jump

Magazine/Periodical:
Black Static; ed. Andy Cox  TTA Press
Interzone; ed. Andy Cox   TTA Press
SFX, ed. Dave Bradley    Future Publishing
The Horror Zine, ed. Jeani Rector

Comic/Graphic Novel:
Animal Man; Jeff Lemire and Travel Foreman (DC Comics)
Batwoman; JH Williams III and W Haden Blackman (DC Comics)
Locke and Key; Joe Hill and Gabriel Rodriguez (IDW Publishing)
The Unwritten; Mike Carey and Peter Gross (Vertigo)
The Walking Dead; Robert Kirkman and Charlie Adlard (Image)

As stated in the new rules of the BFAwards, the Judges can add a title they feel was an egregious omission from the initial recommendations. This year they added 2 titles to the novel category, 2 titles to the novella category, and 1 title to short fiction. If a category has 5 titles listed, this is due to a tie on number of votes and points.

The BFAward Judges, James Barclay, Hal Duncan, Maura McHugh, Esther Sherman, and Damien G. Walter, will now review the shortlist and enter into deliberations. The winners will be announced at FantasyCon in Brighton on 30 September 2012.

The Special Juries and shortlists for the following awards have also been announced:

The PS Publishing Independent Press Award:

Jurors:
Sandy Auden
Peter Crowther
Nicholas Royle
Peter Tennant
Darren Turpin

Shortlist:
Chomu Press; Quentin S Crisp
Gray Friar Press; Gary Fry
NewCon Press; Ian Whates
Spectral Press; Simon Marshall-Jones

The Artist Award:

Jurors:
Guy Adams
Anne Sudworth
Christopher Teague

Shortlist:
Ben Baldwin
Vincent Chong
Les Edwards
Daniele Serra

The Non-Fiction Award :

Jurors:
Djibril al-Ayad
Roz Kaveney
Adam Roberts

Shortlist:
Lest You Should Suffer Nightmares: A biography of Herbert Van Thal; Johnny Mains (Screaming Dreams)
Supergods: Our World in the Age of the Superhero; Grant Morrison (Jonathan Cape)
Nightmare Movies: Horror on Screen since the 1960s; Kim Newman (Bloomsbury Publishing)
Studies in Terror: Landmarks of Horror Cinema; Jonathan Rigby (Signum Books)
Case Notes; Peter Tennant (Black Static)

British Fantasy Society Chair Lee Harris says, “Our members have been consistent in recommending the best in horror and fantasy published in 2011, and we think we have an incredibly strong shortlist. Our judges have a hard job ahead of them and we’re sure the 2012 British Fantasy Awards will get people debating for the rest of the year.”

Find out more about our judges here. The full longlist of members’ recommendations will be available to view on the BFS website from next week.

AMENDMENT

There has been a slight amendment to the BFAwards shortlist as listed above.

King Death was mistakenly listed in the Best Novella category (instead of short story) and Alice Through the Plastic Sheet was listed in the Best Short Story category (instead of novella). Both stories continue to be eligible in their new homes. Apologies for any confusion, and many thanks to those of you who spotted the error.

Special Juries announced for BFAwards Special Juries announced for BFAwards(1)

The British Fantasy Society is delighted to announce the Special Juries for the British Fantasy Awards. The awards will be presented at FantasyCon in Brighton in September 2012.

The Jury for the PS Publishing Independent Press Award:
Sandy Auden
Peter Crowther
Nicholas Royle
Peter Tennant
Darren Turpin

Sandy Auden is a freelance writer and photographer. Her work has appeared in SFX, Interzone, Locus and Supernatural magazines; a wide range of websites; and the occasional music video.

Peter and Nicky Crowther’s PS Publishing received the coveted annual BFS Award for Best Specialist/Small Press on seven occasions until, with a yearly output running to between 40 and fifty titles, Peter removed it from further consideration and instead contributes an annual financial prize to imprints with more modest schedules. We’re not sure whether those moist eyes when he presents the Award are due to parting with the prize of £250 or hankering for the days when he was putting out less than a book every week.

Nicholas Royle is a novelist and short story writer, a commissioning editor for contemporary fiction at Salt Publishing, and editor and publisher of chapbook specialist Nightjar Press.

Peter Tennant is the book reviewer and a contributing editor to Black Static magazine. He’s also the proofreader for Interzone and Crimewave.

Darren Turpin is the Marketing / Publicity / Digital / Webguy for UK-based independent genre fiction publisher Angry Robot, as well as the proprietor of their Robot Trading Company webstore. In the past he’s been a Waterstones bookseller, a book reviewer and serial blogger (The Alien Online, The UK SF Book News Network, The Genre Files), a freelance website content manager and a Big Publishing corporate wage slave. He lives in Manchester with his wife Jo and their cat, Hobbes.

The Jury for the Artist Award:
Guy Adams
Anne Sudworth
Christopher Teague

Guy Adams has written over twenty books, ranging from novels such as The World House and the Deadbeat series to novelisations of Hammer movies and more books about Sherlock Holmes than you could shake a Calabash pipe at. He is also the writer of the comic series The Engine, working with artist Jimmy Broxton.

Anne Sudworth is a British artist with paintings in many international collections. She has exhibited widely and has had two books on her work published.

Christopher Teague has been an independent publisher for over ten years and is still relatively sane. In that time, he has realised that folk do judge a book by its front cover.

The Jury for the Non-Fiction Award:
Djibril al-Ayad
Roz Kaveney
Adam Roberts

Djibril al-Ayad is the editor of The Future Fire, a social-political speculative fiction magazine and review, as well as a writer and academic historian (under different pseudonyms).

Roz Kaveney is a poet, novelist, critic and activist resident in London.

Adam Roberts is Professor of Nineteenth-Century Literature at Royal Holloway, University of London; and the author of a dozen science fiction novels and various pieces of SF and Fantasy criticism.

**NOW CLOSED** Recommendations for BFAwards close 31 March 2012 **NOW CLOSED** Recommendations for BFAwards close 31 March 2012(0)

***PLEASE NOTE THAT THE TIME PERIOD FOR MAKING RECOMMENDATIONS FOR THE BRITISH FANTASY AWARDS HAS NOW CLOSED***

A reminder that voting for the British Fantasy Awards is now open and will close on 31 March 2012.

The new constitution for the awards may be found HERE

Members of the BFS (votes cast by a member whose membership expires after the vote is cast remain valid), members of FantasyCon 2011 and members of FantasyCon 2012 who register before voting closes on 31 March 2012 are eligible and encouraged to vote for works published for the first time in the English language in any part of the world in any format during the calendar year January to December 2011.

Each member may put forward up to three Recommendations in any category, expressed in preferential order. All Recommendations should ideally be accompanied with publication details: year of publication, publisher, and title of collection, magazine, editor, etc, if applicable.

Recommendations may not be made for the recommender’s own material.  The British Fantasy Society discourages the practice of canvassing for votes.

The four titles or names with the highest number of Recommendations will go forward to form the shortlist of nominations.

In the case of the award for Best Novel, members are invited to list up to three Recommendations in the categories of Horror and Fantasy.

The voting form is available online HERE

***PLEASE NOTE THAT THE TIME PERIOD FOR MAKING RECOMMENDATIONS FOR THE BRITISH FANTASY AWARDS HAS NOW CLOSED***

Voting opens for British Fantasy Awards Voting opens for British Fantasy Awards(1)

Voting for the British Fantasy Awards is now open and will close on 31 March 2012.

The new constitution for the awards may be found HERE

Members of the BFS (votes cast by a member whose membership expires after the vote is cast remain valid), members of FantasyCon 2011 and members of FantasyCon 2012 who register before voting closes on 31 March 2012 are eligible and encouraged to vote for works published for the first time in the English language in any part of the world in any format during the calendar year January to December 2011.

Each member may put forward up to three Recommendations in any category, expressed in preferential order. All Recommendations should ideally be accompanied with publication details: year of publication, publisher, and title of collection, magazine, editor, etc, if applicable.

Recommendations may not be made for the recommender’s own material.  The British Fantasy Society discourages the practice of canvassing for votes.

The four titles or names with the highest number of Recommendations will go forward to form the shortlist of nominations.

In the case of the award for Best Novel, members are invited to list up to three Recommendations in the categories of Horror and Fantasy.

The voting form is available online HERE

Thank you for voting and please spread the word! Postal voting forms are available by request from the Awards Administrator.

Regards,
Sarah Ann Watts
BFS Awards Administrator
bfsawards@britishfantasysociety.org

BFS EGM – Agenda BFS EGM – Agenda(0)

Extraordinary General Meeting of the British Fantasy Society 6.00pm
The Mug House Tooley Street near London Bridge Friday 9 December 2011 (map).

NB. We will be starting at 6.00pm promptly to take care of formal business.  Hopefully this will give us some time for an open discussion on future priorities for the Society.  The meeting will by followed by the Open Event with special guests at 7.30pm.  You must be a fully paid-up member of the Society to attend the EGM.  Everyone else is most welcome to come to the Open Event.

AGENDA

  1. Apologies For Absence
  2. Minutes Of The AGM Sunday 1st October 2011
  3. Matters Arising.
  4. Statement of Accounts
  5. Chairperson’s Report
  6. Ratification of Election of New Officers to the BFS Committee
  7. Results of Voting on BFS Awards
  8. Future priorities for the Society
  9. Any Other Business.
Vote for the British Fantasy Award Resolutions Vote for the British Fantasy Award Resolutions(0)

Here is your chance to vote on the proposed changes to the British Fantasy Awards process. The discussion has been raging over on the forum, so take a look and bring yourself up to date on what others think. http://www.britishfantasysociety.co.uk/forum/index.php?topic=3156.0

 

Then pop over to our secure voting system here and express your preference: http://bfawards.britishfantasysociety.co.uk/index.php?sid=79724

This vote is only open to BFS members, and all votes will be checked against the membership database. If you want to vote, it is not too late to join the BFS.

Votes are automatically tallied by the system and will be annouunced at the EGM on 9th December 2011.

 

 

 

Final Update from Acting Chair Graham Joyce Final Update from Acting Chair Graham Joyce(0)

This will be my last update before handing over to Lee Harris in the Chair’s job.  I want to summarise where we’ve got and also to report some general impressions.

Membership numbers have shot up.  We were at about 330 before the last Convention and I believe we’re up above 400.  A lot of this is due to pledges of support and re-subscription but it’s great to see many new members.  Hit rates for the website are remarkable and a tribute to the work of Del Lakin Smith and his team.  The website is our public interface and I hope the new committee will give it the support and resources it deserves.  Promises of support-in-kind from our top-rank writers is in place too and James Barclay is kicking off what will be a new series of Masterclass articles published by the BFS.

Just to remind you where we were ten weeks ago.  The Society was an international laughing stock over what happened with the awards.  There were other problems to do with the failure to present Accounts and Minutes of decisions taken.  Plus there were accusations of cronysism.  A group of over 30 “significant names” (by which I mean members of many years standing, authors and publishers who have supported this Society through thick and thin) got together and, abiding by the constitution, petitioned the President with their concerns and desire for change.  I and others were convinced that there is a strong Society underneath these problems, and even though many of those names wanted to quit, everyone agreed to roll up their sleeves and work for their Society to make change happen.  So in that context I agreed to be Acting Chair.

I made four pledges:

1)    To repopulate a committee where previously the jobs of Chair, Secretary, Awards Administrator, Treasurer and Journal Production Manager were held by one person

2)    To arrange for proper recording of Minutes and formal Accounts

3)    To overhaul the Awards system

4)    To begin a programme of re-enfranchising Fantasy enthusiasts in a Horror dominated society.

The first of these has been done.  All places on the committee are settled for the forthcoming year and the line up – a mix of “brand new” and “relatively new” faces – is sparkling.  I also aimed to address the gender issue and I’m pleased to say the matter settled itself with several highly accomplished and well qualified candidates.  This committee will be ratified at the EGM.

The second of these has also been done.  Proper minutes of the Brighton AGM will be available before the December 9th EGM.  More importantly we have as Treasurer a professional accountant to oversee the Accounts and to introduce strict procedures into financial matters.  A formal statement of accounts will be issued for the AGM.  I want to thank previous Chairperson David Howe for his full co-operation in handing over the accounts information.

The overhaul of the Awards has been complicated and controversial but I don’t think you’ll find a more democratic process anywhere.  We conducted a survey of preferences; used that survey to construct Resolutions and Guidelines; appointed a 5-person Working party of “wise persons” to review the proposed Resolutions; we posted the Resolutions and have accepted amendments; now it’s up to the membership to vote.  I must say that I didn’t quite get what I wanted in the process, and I expect there are bits of it we could all quibble with, but I do think the resolution reflects “the majority of what the majority want”.  Amendments arising from Forum discussions have been incorporated.  There was no call to take the proposals in parts so there will be three votes: on Resolution 1, Resolution 2 and on the set of Recommendations entire.

The fourth pledge is ongoing.  We are trying to feature Fantasy writers more in our publications and as guests at events without taking anything away from those with darker tastes.  The outcome of the move to offer a Fantasy award is uncertain but I hope members will vote in favour of making a broader base to our Society and will vote for Resolution 2.  If the base of the membership changes positively, these things can always be revised again at a later date.

I won’t pretend it has been plain sailing.  I’ve had some difficult conversations with people, some of whom I’ve known for a long time and who are very dear to me.   I apologise unreservedly for any volatility on my part.  But where there have been differences, it has been with people whose love of this genre is unquestionable.  One of the things I would ask is that the Old Guard (and I’m in that category) please give the new committee a chance to do things their way.

One of the things Lee will be asking in his new job is what members get in return for their membership.  I won’t pre-empt him on this but I will say what I get and what I have always got.  When I joined 20 years ago as a newly published author there was suddenly available to me a network of authors, publishers, reviewers and highly knowledgeable fans.  It was both inspirational it was motivational.  The conversations were what it was all about.  The conversations.  I could get advice from more experienced authors.  I got insight into publishing.  I could get hints about what obscure author I might like to read. I began to get a sense of all the antecedents in the genre. I got feedback on my writing and I made a million discoveries which I could never have made on my own: gem-like flames of conversation, handed round the membership.  Plus I made wonderful friendships.  As the years went by newer authors sometimes asked my advice or about what they might read and I liked to think that I was passing on some of those gem-like flames.  By the way, I still ask more experienced authors about the vagaries of publishing and I still get great advice.  What do I get from membership?  I get amazing people in my life.

That’s why we decided this Society is worth protecting and worth fighting for.  Those who don’t approve of the changes can cast their votes accordingly.  For those very many people who have sent messages of support, hearty thanks.  Please continue to support Lee and the new team in remaking the British Fantasy Society.

Graham Joyce

British Fantasy Society – Awards Survey Results British Fantasy Society – Awards Survey Results(0)
Results
Number of records in this query: 244
Total records in survey: 244
Percentage of total: 100.00%
Field summary for BFSMember
Are you a BFS member?
Answer Count Percentage
Yes (Y) 176 72.13%
No (N) 68 27.87%
No answer 0 0.00%
Not completed or Not displayed 0 0.00%

 

Field summary for BFSNo
Please enter your BFS Number. 
Count Percentage
Answer 78 31.97%
No answer 166 68.03%
Not completed or Not displayed 0 0.00%

 

Field summary for FConYear
If you are not a BFS Member, which year did you attend FantasyCon?
Answer Count Percentage
Fantasycon 2010 (2010) 19 7.79%
Fantasycon 2011 (2011) 49 20.08%
Fantasycon 2012 (2012) 2 0.82%
No answer 174 71.31%
Not completed or Not displayed 0 0.00%

 

Field summary for 1
Would you prefer that the award was given only to British (ie born, nationalised or currently domiciled in the UK)?
Answer Count Percentage
Yes (Y) 79 32.38%
No (N) 148 60.66%
No answer 15 6.15%
Not completed or Not displayed 2 0.82%

 

Field summary for 2
Should members be allowed to nominate their own work?
Answer Count Percentage
Yes (Y) 50 20.49%
No (N) 188 77.05%
No answer 4 1.64%
Not completed or Not displayed 2 0.82%

 

Field summary for 3
Should BFS committee members be eligible for awards?
Answer Count Percentage
Yes (Y) 114 46.72%
No (N) 112 45.90%
No answer 16 6.56%
Not completed or Not displayed 2 0.82%

 

Field summary for 4
Would your prefer to see:
Answer Count Percentage
A short list voted for by the members but with the winner determined by a jury. (A1) 109 44.67%
A short list decided by a jury, but with the winners decided by member vote. (A2) 62 25.41%
A juried system with a fully empowered jury. (A3) 27 11.07%
The current system remain in place. (A4) 32 13.11%
Comments 75 30.74%
No answer 9 3.69%
Not completed or Not displayed 5 2.05%

 

Field summary for 5
If we went to a juried system, would you prefer the Jury be chosen by:
Answer Count Percentage
The BFS awards Administrator. (A1) 33 13.52%
The BFS Committee. (A2) 152 62.30%
People external to the membership. (A3) 28 11.48%
Comments 54 22.13%
No answer 26 10.66%
Not completed or Not displayed 5 2.05%

 

Field summary for 6
To deal with obvious oversight or imbalance, many awards empower Juries to write in an extra title(s).  Would you be in favour of this?
Answer Count Percentage
Yes (Y) 175 71.72%
No (N) 40 16.39%
No answer 24 9.84%
Not completed or Not displayed 5 2.05%

 

Field summary for 7
Current awards are for  Novel, Novella, Short Story, Anthology, Collection, Artist, Non-Fiction, Magazine/Periodical, Comic/Graphic Novel, PS Publishing Independent Press Award, & Sydney J. Bounds Best Newcomer Award, Karl Edward Wagner special Award .  There is also a commitment to add Screenwriter award (to replace the former TV and Film awards).  Is this:
Answer Count Percentage
Too many. (A1) 47 19.26%
Too few. (A2) 21 8.61%
About Right. (A3) 164 67.21%
Comments 105 43.03%
No answer 5 2.05%
Not completed or Not displayed 7 2.87%

 

Field summary for 8
Would you prefer:
Answer Count Percentage
To retain one supreme award for Best Novel? (A1) 122 50.00%
Two novel awards, one for Fantasy and one for Horror? (A2) 91 37.30%
More novel awards? (A3) 18 7.38%
No answer 6 2.46%
Not completed or Not displayed 7 2.87%

 

Field summary for 9
Choosing a best newcomer or best small press etc is tricky without good oversight.  Would you prefer to empower dedicated juries for certain awards? 
Answer Count Percentage
Yes (Y) 174 71.31%
No (N) 43 17.62%
No answer 20 8.20%
Not completed or Not displayed 7 2.87%

 

Field summary for 10
Would an eligibility list help in your deliberations? 
Answer Count Percentage
Yes (Y) 181 74.18%
No (N) 31 12.70%
No answer 25 10.25%
Not completed or Not displayed 7 2.87%

 

Field summary for 11
Would you prefer to vote by secure online ballot? 
Answer Count Percentage
Yes (Y) 209 85.66%
No (N) 10 4.10%
No answer 18 7.38%
Not completed or Not displayed 7 2.87%

 

Field summary for 12
Should voting be encouraged by a small membership discount? 
Answer Count Percentage
Yes (Y) 73 29.92%
No (N) 130 53.28%
No answer 34 13.93%
Not completed or Not displayed 7 2.87%

 

Field summary for 13
Any further comments you would like to add?
Count Percentage
Answer 104 42.62%
No answer 130 53.28%
Not completed or Not displayed 10 4.10%
Overhaul of the British Fantasy Awards Overhaul of the British Fantasy Awards(0)

I set out below two resolutions and a set of recommendations.  I’d like members to be clear about how we arrived at these proposals.  The normal way would be to have a discussion at a Fantasycon AGM.  However, with the EGM restricted to those who could be in London on December 9th,  we looked for a more painstaking, democratic and inclusive process:

1)      We conducted an online survey that attracted well over 200 responses.

2)      The responses were analysed and proposals were drawn up firmly based on the results.

3)      I appointed a five-person working group representing various interests to look at the proposals in detail.  The working group comprised James Barclay, Peter Crowther, the President of the Society Ramsey Campbell, Marion Pitman and myself.)

4)      With reference to the survey the working group made amendments and finalised the proposals before you.

5)      The proposals will be put to an online ballot of the membership.

We want complete transparency.  The results of the survey (excluding individual comments) will be made available on the BFS website.

Regarding the survey, some very clear preferences emerged.  Where a few people were content with the old method of voting there was an irresistible call for a change of system.  Where a small number of people felt that there was nothing wrong with canvassing for votes, I have to say a very large number of members expressed distaste for the recent practice and clearly want to move to a juried system.  My own preference for a jury to provide a shortlist followed by a member vote was not supported.   There was however great support for a system whereby members come up with a shortlist and then a jury with “oversight powers” makes the final decision.  This is therefore the system proposed.

Rather more controversial is the idea of offering two awards, one for Fantasy and one for Horror, in the Best Novel category.  The survey yielded closer results on this matter and so needs to be put to the vote.  Having won this award myself with novels that might have gone in either category I can see technical discussions ahead.  However when I took on the job of Acting Chair I promised to look for ways of re-enfranchising some friends we might have lost through the dominance of the Horror genre over the last years.  I do think that if we want authors and publishers to put their weight behind the Society we can’t afford to be exclusive.  This is part of a wider policy and if we can tempt back some of the valued members we have lost by offering another prize then I think we should do so.  If the balance is restored in the coming years we can always return to a single prize if that’s what the membership wants.  Meanwhile I very much hope that members will support the proposal in Resolution 2.

The rest of the proposal is a set of Recommendations. My thinking here is that I didn’t want to tie the BFS or the Awards Administrator in knots, (for example, whether to have a jury of 3 or 5 members has an inbuilt assumption that it is easy to find willing volunteers) so whereas the Resolutions are decisive, these are firm guidelines for the administration of the awards which allow for fine tuning.  Built into these guidelines are checks and balances to avoid recent difficulties.   Some awards will have special juries or conditions.  This is mainly but not exclusively designed to spread the work around and to relieve the burden of the appointed main jury.  Otherwise most of the Recommendations are based on what we have already.

Online balloting pre-empts the cut and thrust of an EGM debate but it is a much more democratic method than restricting participation to the voices and votes of those who are available to attend the EGM.    Discussion can now be held on the on Forum in the forthcoming week.  If I hear a supported call for taking the resolutions or recommendations in parts, that’s what we’ll do.  Otherwise there will be three substantive votes, for Resolution 1, Resolution 2 and for the Recommendations.

The ballot will be conducted by secure online vote from mid-day Thursday 1st December to mid-day Thursday 8th December.  The result of the ballot will by announced at the EGM on December 9th and the meeting will go on to discuss priorities and the way forward for the Society.

Finally, I am ruling myself out of the ballot for 2012.  It’s not that I assume I would be in the running, and anyway I would only be eligible in certain categories; but right now I think it’s important to show a clean pair of hands.

This is an opportunity to reshape not just the awards but the character of the Society.  Voting is of course restricted to paid-up members, so please cast your ballot.  Online balloting, if it proves successful here, can become a vital decision-making tool for the Society in future years.

Happy voting!

Graham Joyce,  Acting Chair

 

 

The British Fantasy Awards: Motion to the EGM December 9 2011-11-18

Resolution Part 1

The British Fantasy Society resolves that the BFS Awards shall ultimately be decided by a jury deliberating on a shortlist determined by the members of the Society.  The Jury shall comprise individuals directly or indirectly related to the writing, publishing and bookselling genre fields. The Jury shall include at least one non-member of the Society.

The Jury shall be appointed by the Awards Administrator, subject to approval by the BFS committee.

The Jury shall deliberate on a shortlist of four nominations as determined by the membership by online or postal vote.

The Jury shall also have oversight powers to add nominations where it identifies an egregious omission or to subtract a nomination in the case of a poor quality nomination artificially boosted by the practice of canvassing.  In order to add or subtract such nominations the jury must make a unanimous decision.  The addition or subtraction of a nomination will be made in camera.

Resolution Part 2

In the category of Best Novel there shall be one award for Best Fantasy Novel and one award for Best Horror Novel.

Recommendations:

1.       The Awards

The British Fantasy Society (BFS) and the British Fantasy Convention (FantasyCon) present the British Fantasy Awards (BFA) annually. The BFS and FantasyCon jointly finance the Awards and appoint a Committee (minimum of two persons) to organise the voting arrangements and to assist the Awards Administrator. In the event of the demise of either the BFS or FantasyCon, the remaining organisation will continue to present awards for as long as is practical. The ballot procedure is open to audit following prior notification.

2.       Eligibility

BFS and FantasyCon publications are ineligible, although their contents (e.g. individual stories, articles and pieces of artwork) are eligible. The Awards Administrator may not be associated (either by writing, publishing or editing) with work nominated in any category.  The “relevant year” throughout this constitution is the calendar year (January to December) preceding that in which the awards are presented. Eligible voters: members of the BFS (the vote of a member whose membership expires after the vote is cast remains valid), members of the previous FantasyCon, and those who have registered for the upcoming FantasyCon.

3.       Changes to These Guidelines

Changes to these guidelines may only be made by a vote at the AGM of the British Fantasy Society, taken according to the same rules of procedure outlined in the BFS constitution.  A committee vote may not be used to reverse a decision made at an AGM.

4.       Categories

Novel   The August Derleth Award for Best Horror Novel and The Robert Holdstock Award for Best Fantasy Novel.

Eligibility: fiction over 40,000 words published for the first time in the English language in any part of the world in any format during the relevant year. (*In the event of a dispute over genre category, definition shall rest with the author.)

Novella

Eligibility: fiction from 15,000 to 40,000 words published for the first time in the English language in any part of the world in any format during the relevant year.

Short Fiction

Eligibility: stories under 15,000 words published for the first time in the English language in any part of the world in any format during the relevant year.

Anthology

Eligibility: a collection of work by various authors, published for the first time in the English language in any part of the world during the relevant year. BFS anthologies are not eligible for this award.

Collection

Eligibility: a collection of work by a single author, published for the first time in the English language in any part of the world during the relevant year.

Screenplay

Eligibility:  a screenplay for TV, Film or Electronic Broadcast released in the English language in any part of the world during the relevant year.

Magazine/Periodical

Eligibility: non-fiction and fiction magazines, print and online, that were active during the relevant year. BFS publications (such as Dark Horizons and Prism) are not eligible for this award.

Comic/Graphic Novel

Eligibility: comics and collections of comics, published for the first time in the English language in any part of the world during the relevant year.  New collections of previously published comics are eligible.

Categories with special juries.

The PS Publishing Independent Press Award

Eligibility:  Independent presses active during the relevant year. Note that PS Publishing withdrew from competition in this category in 2009, choosing instead to sponsor the award.   *Special jury to be appointed by PS publishing.

Artist

Eligibility: any artist who has produced work during the relevant year.  This category covers artists who work in any format.  *Special jury to comprise at least one artist working within the genre.

Non-Fiction

Eligibility: items eligible for this Award include non-fiction books, chapbooks, magazine or online columns or single magazine or online articles. The non-fiction item must have been published in any format (book, magazine, small press or electronic) in any part of the world during the relevant year. *Special jury drawn from bloggers, reviewers and commentators on the genre.

Special Award (The Karl Edward Wagner Award)

The British Fantasy Special Award is known as the Karl Edward Wagner Award.  The Award may be presented to individuals or organisations. Eligibility: this Award is not necessarily restricted to an activity in the year prior to that in which the Award is presented. The Award may go to someone who has made an important contribution to the genre or the Society  throughout his/her lifetime; or it may go to the organisers of a special event or publication that took place in the relevant year. Recommendations for this Award will be sought from the membership. *The BFS Committee will determine the winner of this award.

The Sydney J. Bounds Best Newcomer Award

The award is for a new fiction writer. The recommendations can be for a single work or more than one, provided they meet the eligibility criteria set out above. Recommendations for this award are sought from the BFS membership. Eligibility also requires that copies of the work(s) be provided to the voting panel by the appropriate author, editor or publisher. This award is sponsored and funded by the estate of Sydney J. Bounds and the winner will receive a cheque for £100. The winner is decided by a special panel of readers appointed by the BFS and will include representatives from the Bounds estate and the BFS.

(BFS Short Story Competition

The competition is subject to its own rules, which are at the discretion of the BFS Short Story Competition Administrator.)

5.       VOTING PROCEDURE

Voting Schedule

The precise voting schedule each year will depend on the schedule of BFS mailings and the timing of FantasyCon.

Recommendations sought: Jan-March.

Jury work: April-July.  Shortlist announced April.

Announcement of winners: usually September

 

 Stage 1: Shortlist from the membership:  Recommendations may be submitted online or by post.

Each member may put forward up to three nominations in any category.

All recommendations should ideally be accompanied with publication details: year of publication, publisher, and title of collection, magazine, editor, etc, if applicable. If the information supplied is insufficient for the BFA committee to establish eligibility the recommendations may be excluded from the ballot form.

Recommendations may not be made for the recommender’s own material.

The four titles or names with the highest number of recommendations will go forward to form the shortlist of nominations.

Stage 2: The Jury

A Jury of three or five readers shall have the power to add up to two further nominations if they so wish.  The Jury shall decide a winner from the shortlist.  The Jury’s decisions shall be final.

Stage 3: Announcement and Presentation

The Awards are presented at FantasyCon or at a suitable alternative event if FantasyCon is cancelled in any particular year.

The Awards will usually take the form of a statuette. The statuette should be abstract or genre-neutral in design, avoiding any preference for horror, fantasy etc.

Resolutions and Recommendations are:

Proposed by Graham Joyce (Acting Chair)

Seconded by: James Barclay, Ramsey Campbell (President), Peter Crowther, Marion Pitman.

*You can join in the discussion over at the forum http://www.britishfantasysociety.co.uk/forum/index.php?topic=3156.0

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